concrete multi-core noise & post-electro project

zahnbeitel is an attempt to explore unseen dimensions of sound, music, and noise. our main concept, known as concrete multi-core noise, is open to all possible influences; it creates new tension between complete arbitrariness and perfect sense (concettismo), between violence and subtlety. various intellectual and artistic sources create a spectrum of noise, industrial, electro, death, and avant-garde. recordings including concrete multi-core noise are dotabata-no rekôdo and strepitus e.p.

since all forms of noise are better performed live (and zahnbeitel also works as a studio project) we also have a strong focus on the post-electro manifestation of the project. in post-electronica we use methods of electronic and strong rhythmic composition to create pieces transcending classical electronica to new stages. zahnfleischtrieb is the first step in this direction. elektroplatte will follow in 1999.

 

the project was established july 1996 by schaefer and does not have a specific line up. several people are contributing in different ways.

in the future, music, art, and performance shall form one homogenous experience; the music and noises are produced first and used as a starting point. more literary works, video, 3d animation, installations, and spatializations might be added later.